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Lenore
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Bürger's Lenore, a German ballad written in 1773, had great influence on subsequent vampire literature. In Lenore, a young woman anxiously awaits the return of her fiance, William, from the Battle of Prague. After a brief argument with God, Lenore is visited by a man on horseback who claims to be William. He takes her to a cemetery, and as they arrive, the figure reveals himself as Death over the grave of her fiance William. Lenore is punished with her own death for arguing with God.
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Vampire Giovanni. Burletta, 2 acts. James Robinson Planché
Manuscripts
Application Jan. 8, [1821,] William Lee, Adelphi. Prod. (as Giovanni, the Vampire; or, How Shall We Get Rid of Him) Jan. 15. MS: dated by Larpent Jan. 10; included, Introductory Vision, with its cast given. Comp. Songs, Duets, Glees, Chorusses, &c., in...Giovanni the Vampire; etc., 1821 (K-D 508): virtually the same.
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Partial artillery squad in a Union redoubt, Fortress Rosecrans, Murfreesboro, Tenn
Visual Materials
Photograph of an artillery unit repositioning a gun. Four men with levers are around the gun; standing behind observing is a sergeant and an officer. The officer has his sword drawn.
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Vikram and the vampire, or, Tales of Hindu devilry
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"The Baital-Pachisi, or Twenty-five Tales of a Baital is the history of a huge Bat, Vampire, or Evil Spirit which inhabited and animated dead bodies. It is an old, and thoroughly Hindú, Legend composed in Sanskrit, and is the germ which culminated in the Arabian Nights...The story turns chiefly on a great king named Vikram, the King Arthur of the East, who in pursuance of his promise to a Jogi or Magician, brings to him the Baital (Vampire), who is hanging on a tree"--from preface, written by Isabel Burton.
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High fashion crime scenes
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"Melanie Pullen's long-awaited first monograph, 'High Fashion Crime Scenes', presents her breathtakingly beautiful works based on vintage crime scene images, first-hand accounts, and documents Pullen mined from the files of the LAPD. In 2002, drawn to the rich details and compelling stories preserved in the criminal records, Melanie Pullen began restaging the vents, outfitting the 'victims' (her selected models) in current haute couture, and photographing them in her staged settings. To create this work, Pullen at times enlisted the help of up to sixty people per shoot: set builders, makeup artists, models, stylists and stunt crews, among others. Her models have included the actresses Rachel Miner and Juliette Lewis. The collection of more than one hundred images has received considerable critical acclaim in the national and international press"--Publisher's description.
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