Rare Books
The art spirit : notes, articles, fragments of letters and talks to students, bearing on the concept and technique of picture making, the study of art generally, and on appreciation
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Art reproductions
Visual Materials
One set of art reproductions of paintings, murals and photographs, published by the Horace K. Turner Company, Boston, ca. 1906. This set is comprised of 58 black and white reproductions, each numbered and labeled "Turner Picture Study Prints". Title of the image, and artist name is printed below each image. Some of the cards bear a copyright date of 1906. Among the images included are: a photograph entitled "Amalfi"; Choosing the Caskets" by Ferdinand Barth; "Washington Crossing the Delaware" by Emmanual Lautze; "Delphic Sybil" by M. Buonarroti, and "Spirit of '76" by Archibald M. Willard. There are many duplicate images. Title supplied by cataloger.
ephKAEE
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Art Digest—Scrapbook of clippings and photocopies of clippings of Kruse's column "Art to Heart Talks" (29 items), 1934-1939
Manuscripts
The Alexander Z. Kruse papers contain documents relating to Kruse's career as an artist, art critic, and author. The time frame covered is 1890 to 1975 with the bulk of the material originating from the 1930s to 1960s. The material is arranged by functional series and includes: literary manuscripts and notebooks; correspondence; photographic materials--photographs and slides; ephemera--clippings, catalogs, and biographical material; and books. The majority of the collection is in its original format with a few being photocopies. The photographic materials are in good condition. However, much of the ephemera (especially the newspaper clippings) is extremely fragile. Most of the clippings are from Kruse's columns with the Brooklyn Eagle and the New York Post.
mssKruse papers
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Brighton Art Gallery. Exhibition of Pictures from the Collection of James H. Bingham, Esq
Manuscripts
This collection contains research files of English art historian R. B. Beckett, chiefly consisting of study photographs and clippings collected from the late 1940s to early 1960s documenting the works of John Constable and other English artists including William Blake, Thomas Gainsborough, Thomas Rowlandson, J. M. W. Turner, and Richard Wilson. In addition there are also images and clippings related to English portraiture, as well as sporting and comic images. The artist research files contain study art photographs and clippings, with some occasional correspondence and notes and manuscripts by Beckett. Six artists (Blake, Constable, Gainsborough, Rowlandson, Turner, and Wilson) are distinguished as their own subseries, and their files typically contain study photographs, article clippings, some scattered manuscripts and correspondence, and exhibition catalogues. The largest of these are the John Constable files (Boxes 3-9), which includes seven boxes of study images. Other art images in the collection are arranged either in the "Artists (various)" subseries (Box 13) or in the "Portrait artists" subseries (Boxes 14-15). While some of the images are professional photographs acquired from museums, most of the images are clippings from British magazines such as The Connoisseur and Burlington. Most of the images are not annotated or only contain brief handwritten identifications typically of the artist, painting title, date, dimensions, etc. Overall there are very few manuscripts by Beckett in the collection. Exceptions consist of a sketchbook from the late 1920s containing pencil sketches of landscapes by Beckett and a few documents. The correspondence is chiefly from galleries, museums, and publishers related to Beckett's research and publications.
mssBeckett
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City Museum & Art Gallery, Birmingham. Catalogue of Pictures by Richard Wilson and his Circle
Manuscripts
This collection contains research files of English art historian R. B. Beckett, chiefly consisting of study photographs and clippings collected from the late 1940s to early 1960s documenting the works of John Constable and other English artists including William Blake, Thomas Gainsborough, Thomas Rowlandson, J. M. W. Turner, and Richard Wilson. In addition there are also images and clippings related to English portraiture, as well as sporting and comic images. The artist research files contain study art photographs and clippings, with some occasional correspondence and notes and manuscripts by Beckett. Six artists (Blake, Constable, Gainsborough, Rowlandson, Turner, and Wilson) are distinguished as their own subseries, and their files typically contain study photographs, article clippings, some scattered manuscripts and correspondence, and exhibition catalogues. The largest of these are the John Constable files (Boxes 3-9), which includes seven boxes of study images. Other art images in the collection are arranged either in the "Artists (various)" subseries (Box 13) or in the "Portrait artists" subseries (Boxes 14-15). While some of the images are professional photographs acquired from museums, most of the images are clippings from British magazines such as The Connoisseur and Burlington. Most of the images are not annotated or only contain brief handwritten identifications typically of the artist, painting title, date, dimensions, etc. Overall there are very few manuscripts by Beckett in the collection. Exceptions consist of a sketchbook from the late 1920s containing pencil sketches of landscapes by Beckett and a few documents. The correspondence is chiefly from galleries, museums, and publishers related to Beckett's research and publications.
mssBeckett
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Tate Gallery. Catalogue of an Exhibition of Pictures by Richard Wilson and his Circle, organized by the City Museum and Art Gallery, Birmingham
Manuscripts
This collection contains research files of English art historian R. B. Beckett, chiefly consisting of study photographs and clippings collected from the late 1940s to early 1960s documenting the works of John Constable and other English artists including William Blake, Thomas Gainsborough, Thomas Rowlandson, J. M. W. Turner, and Richard Wilson. In addition there are also images and clippings related to English portraiture, as well as sporting and comic images. The artist research files contain study art photographs and clippings, with some occasional correspondence and notes and manuscripts by Beckett. Six artists (Blake, Constable, Gainsborough, Rowlandson, Turner, and Wilson) are distinguished as their own subseries, and their files typically contain study photographs, article clippings, some scattered manuscripts and correspondence, and exhibition catalogues. The largest of these are the John Constable files (Boxes 3-9), which includes seven boxes of study images. Other art images in the collection are arranged either in the "Artists (various)" subseries (Box 13) or in the "Portrait artists" subseries (Boxes 14-15). While some of the images are professional photographs acquired from museums, most of the images are clippings from British magazines such as The Connoisseur and Burlington. Most of the images are not annotated or only contain brief handwritten identifications typically of the artist, painting title, date, dimensions, etc. Overall there are very few manuscripts by Beckett in the collection. Exceptions consist of a sketchbook from the late 1920s containing pencil sketches of landscapes by Beckett and a few documents. The correspondence is chiefly from galleries, museums, and publishers related to Beckett's research and publications.
mssBeckett