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Chaucers Canterbury pilgrims

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    Canterbury tales : [manuscript]

    Manuscripts

    The Ellesmere Chaucer is a beautiful and elaborately decorated manuscript of Geoffrey Chaucer's Canterbury Tales. Created between 1400 and 1410, it contains what is believed to be a portrait of Chaucer as well as miniature paintings of twenty-two of the fictional pilgrims who tell stories in order to enliven the journey from London to Canterbury. The manuscript is in excellent condition partly because it was undisturbed for about three centuries in the library of Sir Thomas Egerton (later Baron Ellesmere) and his family. See Digital Scriptorium for full description.

    mssEL 26 C 9

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    Photographs: Chaucer's Canterbury Pilgrims [undated]. 1 item

    Manuscripts

    The collection contains 208 semi-cataloged items housed in two boxes (with one oversize volume). The majority of the collection deals with Alice Parsons Millard's estate and assets at the time of her death. There are documents and five volumes of inventories of the house and "museum," as well as 52 inventory note cards. These inventories list items (including furniture, books, etc.) owned by the Millards and often include the price they paid for it and/or the price for which they sold it. There is also a twelve-page, typed memoir of Alice Parsons Millard by Lucille V. Miller (1984). The correspondence includes 31 pieces, sixteen of which were written by Alice Parsons Millard. Many of the letters and postcards were written while Alice was abroad. One of her letters is to her client, collector Estelle Doheny. A number of her letters were to the Vanderhoef family, particularly Francis Bailey Vanderhoef, Jr. and his mother, Cornelia Young Vanderhoef. Ten letters by Alice Parsons Millard's secretary, Gertrude E. Treat, revolve around Alice's failing health, death, and the distribution of her estate. The photographs consist of 57 black and white photographs (and two negatives) of the following: the Millard's Highland Park house, the exterior and interior of "La Miniatura," the house's exhibits, the South Pasadena House, and three gates Alice contemplated purchasing while in London. There are also several personal photographs of Alice Parsons Millard, George Millard and various family members. There are five pieces of ephemera including Alice Parsons Millard's passport (1926) and copies of three of her obituaries (1938).

    mssMillard papers

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    William D. Shipman letter to Ogden Hoffman

    Manuscripts

    Shipman informs Hoffman of a decision in the district court of Connecticut, and the possible ramifications.

    mssHM 19017

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    The Cathedral and Metropolitan Church of Christ, Canterbury: a Handbook for Pilgrims

    Manuscripts

    This collection contains the papers of English art historian Katharine Ada Esdaile (1881-1950), with the bulk of the materials relating to her research and writings on British monumental sculpture, sculptors, and church monuments from the medieval period to 19th century. Material types include personal writings, diaries, correspondence, business papers, family papers and photographs, research files and research notebooks, and miscellaneous published and unpublished materials. Notably the collection includes more than 600 chiefly pre-World War II visitor booklets and pamphlets produced locally by British churches and approximately 3500 photographs taken or collected by Esdaile of sculpture, often funerary monuments in English churches, ranging from large churches like Westminster Abbey to small rural parishes. This collection provides a resource for viewpoints on monumental sculpture in the early 20th century (for instance as represented in book reviews by Esdaile) and for information about Esdaile's experience as a woman art historian in the early 20th century. Given the broadness of Esdaile's scope, from medieval to 19th century British monumental sculpture, the collection is less useful for specific information about monuments or sculptors. In addition, many of Esdaile's attributions in her notes appear to have been based primarily on her own instincts and do not have citations. Many of Esdaile's notes are handwritten on small scraps of paper or are fragments, sometimes making the information difficult to parse. The collection is chiefly Esdaile's files, but the dates on some items (such as post-1950 booklets) indicate the collection was added to and used after her death, presumably by her son Edmund Esdaile, who also made notes on items in the collection and appears to have done the preliminary organization of the papers after Esdaile's death.

    mssEsdaile

  • The songs of experience

    The songs of experience

    Rare Books

    Plates 34-36, 53 etched 1789; plates 29-33, 37-52 etched 1794. Plates disbound and separately mounted in preservation mats. Former binding preserved: Full maroon morocco, gilt frames on covers, and stamped in gilt on spine. The hand numbering by Blake (in ink in upper right corners), seem to indicate that the plates were separated from a numbered copy of "Songs of Innocence"

    54038

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    Hotel Honolulu

    Rare Books

    Jacket description: Welcome to the Hotel Honolulu, a down-at-the-heels tourist place on a back street two blocks from the beach at Waikiki, where middle America stays and dreams. Like the Canterbury pilgrims, every guest in this eighty-room hotel has come in search of something - sun, love, happiness, un-namable longing - and everyone has a story. Honeymooners, vacationers, wanderers, mythomaniacs, soldiers, and families all land at the Hotel Honolulu. But the hotel is as suited to being a crime scene as a love nest. Fortunately, our keen-eyed narrator, a writer down on his luck, is there to relate all the comings and goings. He's lost money, friends, house, and family, and he has no experience running a hotel. But all that doesn't stop Buddy, the boozy owner of the place - the last of a dying breed - from signing him on as manager. It isn't long before the hotel expands to encompass the narrator's whole universe. His original plan of escape from a life of the mind becomes something altogether different: a way to return to the world he left, the world of imagined life.

    646343