Cambriae typus

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  The breuiary of Britayne. : As this most noble, and renowmed iland, was of auncient time deuided into three kingdomes, England, Scotland and Wales. Contaynyng a learned discourse of the variable state, [and] alteration therof, vnder diuers, as wel natural: as forren princes, [and] conquerours. Together with the geographicall description of the same, such as nether by elder, nor later writers, the like hath been set foorth before. Writen in Latin by Humfrey Lhuyd of Denbigh, a Cambre Britayne, and lately Englished by Thomas Twyne, Gentleman

  Rare Books

  62352

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  Humfredi Llwyd, armigeri, Britannicæ descriptionis commentariolum: : necnon de Mona insula, et Britannica arce sive armamentario Romano disceptatio epistolaris. Accedunt æræ Cambrobritannicæ. Accurante Mose Gulielmio

  Rare Books

  214394

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  Commentarioli britannicae descriptionis fragmentum

  Rare Books

  88399

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  Angliae regni florentissimi nova descriptio

  Rare Books

  647027

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  [Cambria]

  Visual Materials

  This collection forms part of the John Haskell Kemble maritime collection compiled by American maritime historian John Haskell Kemble (1912-1990). The collection contains 125 artworks dating from 1828 to 1981, with subjects pertaining to and/or depicting maritime vessels, including commercial and military ships. Most are oil paintings, with some watercolors also included.

  artJHK 077

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  Cambria Brand

  Visual Materials

  The Citrus label collection contains more than 1,500 lithographed labels related to the California citrus industry in the United States from 1880 to 1960, with the bulk of the collection dating from 1890 to 1940. The vast majority of the collection consists of lithographed labels produced for Californian growers, packers, and distributors to identify brand names and packing locations on wooden shipping crates of oranges, lemons and grapefruits. Many of the labels were printed by Los Angeles and San Francisco lithographers. The collection includes a range of lithography techniques from crayon drawing and hand stippling to the use of Ben Day screen patterns and half-tone lithography. The collection also includes more than 100 examples with "bronzing," a printing technique where varnish is printed on the label, followed by a dusting of fine bronze powder. A significant number of labels are stamped on verso with a received date by the Fruit Growers Supply Company, and some include signatures of approval or notations about printing corrections. The collection provides a broad view of the development of citrus fruit advertising over time, and also touches upon topics of commerce, manufacturing, travel and tourism, and promotion of the western United States. In the earliest examples, themes include naturalistic designs of flowers, animals, women, historical subjects, and scenic landscapes. Brand names, simple designs, block letters, and geometric patterns dominate in later examples. Many of the labels depict orange groves, scenic views, or flowers, though the collection also includes a wide variety of imagery beyond these themes including Native Americans, transportation, children, and portraits of famous or fictional people.

  ephCL C_20