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Manuscripts

Letters regarding the Tournament of Roses parade

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    Tournament of Roses parade

    Visual Materials

    The Glendora Historical Society of B.D. Jackson Photographs and Negatives consists of 1202 black-and-white and color photographs (including postcards, stereographs, mounted photographs, and photograph albums) and 202 black-and-white and color negatives created by B.D. Jackson and/or collected by Jackson, his wife Cora, and his stepdaughter Ruth, 1893-1951 (bulk 1920s-1930s). The collection provides a broad overview of the growth of many of the San Gabriel Valley's suburban communities as well as a survey of many notable landscapes of California and the American West. It also gives an overview of Jackson's career as a commercial, landscape, and scenic view photographer, and contains family photographs. The collection supplements and complements the B.D. Jackson Collection of Negatives and Photographs (photCL 332). Many of the negatives in the Jackson Collection exist in print form in the Glendora Collection, and many of the images in the Glendora Collection round out series in the Jackson Collection.

    photCL 448

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    Tournament of Roses Parade

    Visual Materials

    The 424 photographs document events and activities of the Southern California Division of the California Centennials Commission that commemorate California's centennial, 1948 to 1950. Included are images of parades, such as the centennials of Beverly Hills and Long Beach; the 1948 Tournament of Roses Parade that included centennial-themed floats; and Gold Rush and pioneer-related parades such as those held in Paso Robles, San Bernardino, Redlands, San Luis Obispo, and Santa Monica. Photographs that document celebrations commemorating historic events and places include the Fort Moore celebration held at the Hollywood Bowl and images of the Portola Trek reenactment. The collection also includes a large number of images of the dedication of the Commission's Historical Caravan, held at the Los Angeles Memorial Coliseum. Speaking at that event was Lieutenant Governor Goodwin J. Knight. Other images of the Historical Caravan include pictures of the exhibits inside the van and the van on location in Sycamore Grove (the Highland Park area of Los Angeles), at the Pio Pico Adobe in Whittier, and at China Lake. The collection contains photographs of the Centennial Commission float at the Hollywood High School premiere of "California's Golden Beginnings"; and at the unveiling of a plaque commemorating the centennial of Los Angeles's first post office. Notable figures in California politics and culture appear in the photographs. These include Eldred L. Meyer, past Grand President of Native Sons of the Golden West and Walter N. Bailey, Grand President of the Native Sons of the Golden West at the opening of the gold mining exhibit in Pershing Square; Goodwin J. Knight, Lloyd D. Mitchell, Manager of the Southern California Division, and Governor Earl Warren. The collection contains photographs by Otto Rothschild, Coy Watson, J. Allen Hawkins, David F. Stevens, Lew Nichols, Louis, Gerhardt, Dick Whittington Studio, Inman Company, Woro Studios, Randolph Studios, Pacific Press Photos, Merriman Photo Art, Junis & Pearson Photo, and Frashers Inc.

    photCL 400 volume 28

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    Tournament of Roses parades

    Visual Materials

    The Peabody Collection consists of 672 glass plate negatives in various sizes, 1054 film negatives in various sizes, 24 photograph albums, 887 loose photographs in a variety of formats, published works, and manuscript material, created and collected by Henry G. Peabody, 1859-1993 (bulk 1890s-1900s). The materials collectively describe Peabody's long career as a commercial landscape photographer working on both the east and west coasts of the United States. The photographs and negatives depict Peabody and his family; landscape views in New England, Canada, the western United States, California, and Mexico; Native Americans; city and landscape views in Great Britain, France, and Switzerland; portraits; architectural renderings; plants and animals; unidentified landscapes; and miscellaneous images. Additional photographers and photographic firms represented in the collection include Alexander Hesler, Charles F. Lummis, and Spence Air Photos. The published works contain photographs by Peabody. The manuscript material provides information about Peabody's negatives; contains catalogs of Peabody's works for sale; describes Peabody's commercial dealings as both a photographer and seller of photographic equipment; and contains ephemeral material collected by Peabody throughout his life.

    photCL 478

  • Image not available

    Tournament of Roses parades

    Visual Materials

    The Peabody Collection consists of 672 glass plate negatives in various sizes, 1054 film negatives in various sizes, 24 photograph albums, 887 loose photographs in a variety of formats, published works, and manuscript material, created and collected by Henry G. Peabody, 1859-1993 (bulk 1890s-1900s). The materials collectively describe Peabody's long career as a commercial landscape photographer working on both the east and west coasts of the United States. The photographs and negatives depict Peabody and his family; landscape views in New England, Canada, the western United States, California, and Mexico; Native Americans; city and landscape views in Great Britain, France, and Switzerland; portraits; architectural renderings; plants and animals; unidentified landscapes; and miscellaneous images. Additional photographers and photographic firms represented in the collection include Alexander Hesler, Charles F. Lummis, and Spence Air Photos. The published works contain photographs by Peabody. The manuscript material provides information about Peabody's negatives; contains catalogs of Peabody's works for sale; describes Peabody's commercial dealings as both a photographer and seller of photographic equipment; and contains ephemeral material collected by Peabody throughout his life.

    photCL 478

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    Street parade [probably Tournament of Roses]

    Visual Materials

    This collection contains approximately 10,000 photographs, negatives and ephemera created or compiled by Grace Nicholson (1877-1948), a collector and dealer of Native American and Asian arts and crafts in Pasadena, California. The bulk of the collection dates from 1903 to the 1920s and includes photograph albums and individual photographs with views of Native Americans of the Northwest Coast, California, and the Southwest of North America; pictures documenting Nicholson's basket collecting trips primarily between 1902 and 1912; images of Nicholson's stores and residences in Pasadena, including the building of the "Grace Nicholson Treasure House of Oriental Art" in the mid-1920s; and personal photographs of Nicholson, her family, friends, and associates. Nicholson's personal snapshots and photograph albums provide a valuable resource for studying Native American communities, particularly in Northern California, in the early 20th century. Many of the photographs depict daily life and include images of homes, community events, dances and rituals, families and children, and portraits. Most of these photographs were taken by Grace Nicholson or her assistant, Mr. Carroll S. Hartman, and are often accompanied by Nicholson's handwritten identifications.

    photCL 56

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    Tournament of Roses parade, Jan. 1, 1908

    Visual Materials

    This collection contains approximately 10,000 photographs, negatives and ephemera created or compiled by Grace Nicholson (1877-1948), a collector and dealer of Native American and Asian arts and crafts in Pasadena, California. The bulk of the collection dates from 1903 to the 1920s and includes photograph albums and individual photographs with views of Native Americans of the Northwest Coast, California, and the Southwest of North America; pictures documenting Nicholson's basket collecting trips primarily between 1902 and 1912; images of Nicholson's stores and residences in Pasadena, including the building of the "Grace Nicholson Treasure House of Oriental Art" in the mid-1920s; and personal photographs of Nicholson, her family, friends, and associates. Nicholson's personal snapshots and photograph albums provide a valuable resource for studying Native American communities, particularly in Northern California, in the early 20th century. Many of the photographs depict daily life and include images of homes, community events, dances and rituals, families and children, and portraits. Most of these photographs were taken by Grace Nicholson or her assistant, Mr. Carroll S. Hartman, and are often accompanied by Nicholson's handwritten identifications.

    photCL 56