Manuscripts
Esther Mullowney Wood illustrated manuscript for "Penny Paths to Taos,"
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Taos Pueblo
Rare Books
"When Taos Pueblo, his first book, was published in 1930, Ansel Adams was just 28 ... Adams had only recently put aside a nascent career as a concert pianist to pursue photography full time, but he still wasn't sure he could make a go of it when he took up the Taos project in collaboration with Mary Austin, a popular novelist and nature writer based in Santa Fe. ... The twelve photos in Taos Pueblo--each an original print on silver bromide paper prepared especially for the book by Adam's San Francisco custom-paper supplier, William Dassonville--include several formal portraits reminiscent of Edward Curtis and nearly circumscribed, almost intimate landscapes that are a far cry from the inflated magnificence associated with Adam's later work. ... The book's solid success at the height of the Depression (all 108 copies sold over two years at $75 a piece) encouraged Adams to continue in his course as a photographer of the American landscape."--The Book of 101 Books : Seminal Photographic Books of the Twentieth Century / Edited by Andrew Roth. New York : PPP Editions in association with Ruth Horowitz, 2001.
645235
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Manuscripts, Henry Ellsworth Wood
Manuscripts
The collection contains manuscripts by Henry Ellsworth Wood, letters written by various authors, photographs, negatives, ephemera, an assay book, and photograph albums and scrapbooks. The collection spans several generations of the Wood family, focusing on the personal life and business activities of Henry Ellsworth Wood. The bulk of the collection consists of correspondence, including some 300 pieces from Henry Ellsworth Wood to his wife, Belle Matteson McGinnis Wood. These letters, composed over the fifty year period of their marriage, cover a wide range of aspects of their lives, including their immediate and extended family, their day-to-day activities, trips to visit family and friends, financial hardships, mining affairs in Colorado and Canada, and assorted business activities. Four generations of the Wood family are represented in the correspondence, including 69 letters composed between 1853 and 1856 by William Cowper Wood, his parents and siblings. The collection includes various drafts of Henry Ellsworth Wood's reminiscences of his childhood and early days in Leadville, the most comprehensive manuscript of this type being "I Remember." Also of note is the manuscript "Colorado in 1868," reproduced with commentary by Henry Ellsworth Wood from a notebook kept by his father, William Cowper Wood, during the 1868 John Wesley Powell expedition. The collection contains one assay book kept by Maurice Hayes between the years 1873 and 1878. Maurice Hayes arrived at Leadville no later than 1873, serving as one of the first assayers in the area and many early Leadville notables are entered in this record book. There are also several scrapbooks and photograph albums, approximately 1868 to approximately 1921.
mssWoodh
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John Wood law book: manuscript
Manuscripts
Contains notes on precedents and rules for 18th century elections, with returns for the Radnorshire election of May 30, 1780.
mssHM 34802
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Pueblo of Taos. Taos was formerly a walled town
Visual Materials
This collection of photographs documents Native Americans living in Arizona, New Mexico and Oklahoma between 1904 and 1917. The primary tribes represented are Hopi, Navajo and Taos Pueblo Indians, but there are also Osage, Apache and several other Southwestern tribes. There are many portraits, as well as posed, romantic scenes depicting storytelling, hunting, weaving, or playing instruments. Additional candid views show people in their daily activities, pueblos, and dance ceremonies. In a letter to Henry Huntington, Feb. 12, 1923, Moon describes these photographs as "a complete collection of my Indian pictures made from the beginning of my work in 1904 to 1917. It includes ... the pick of the Fred Harvey collection that I made for them during the period of my contract with them, 1907 to 1914, and my own collection made since the latter date." Besides the portraits, there are scenes of Indians in their daily activities, including baking bread in outdoor ovens, gathering water in pots, riding horses and tending livestock. There are also views of the Hopi Snake Dance, and the Corn Dance at Santo Domingo.
photCL 313
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Manuscripts (Henry Ellsworth Wood) and Correspondence: Adele-Esty
Manuscripts
The collection contains manuscripts by Henry Ellsworth Wood, letters written by various authors, photographs, negatives, ephemera, an assay book, and photograph albums and scrapbooks. The collection spans several generations of the Wood family, focusing on the personal life and business activities of Henry Ellsworth Wood. The bulk of the collection consists of correspondence, including some 300 pieces from Henry Ellsworth Wood to his wife, Belle Matteson McGinnis Wood. These letters, composed over the fifty year period of their marriage, cover a wide range of aspects of their lives, including their immediate and extended family, their day-to-day activities, trips to visit family and friends, financial hardships, mining affairs in Colorado and Canada, and assorted business activities. Four generations of the Wood family are represented in the correspondence, including 69 letters composed between 1853 and 1856 by William Cowper Wood, his parents and siblings. The collection includes various drafts of Henry Ellsworth Wood's reminiscences of his childhood and early days in Leadville, the most comprehensive manuscript of this type being "I Remember." Also of note is the manuscript "Colorado in 1868," reproduced with commentary by Henry Ellsworth Wood from a notebook kept by his father, William Cowper Wood, during the 1868 John Wesley Powell expedition. The collection contains one assay book kept by Maurice Hayes between the years 1873 and 1878. Maurice Hayes arrived at Leadville no later than 1873, serving as one of the first assayers in the area and many early Leadville notables are entered in this record book. There are also several scrapbooks and photograph albums, approximately 1868 to approximately 1921.
mssWoodh
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Taos Man
Visual Materials
This collection of photographs documents Native Americans living in Arizona, New Mexico and Oklahoma between 1904 and 1917. The primary tribes represented are Hopi, Navajo and Taos Pueblo Indians, but there are also Osage, Apache and several other Southwestern tribes. There are many portraits, as well as posed, romantic scenes depicting storytelling, hunting, weaving, or playing instruments. Additional candid views show people in their daily activities, pueblos, and dance ceremonies. In a letter to Henry Huntington, Feb. 12, 1923, Moon describes these photographs as "a complete collection of my Indian pictures made from the beginning of my work in 1904 to 1917. It includes ... the pick of the Fred Harvey collection that I made for them during the period of my contract with them, 1907 to 1914, and my own collection made since the latter date." Besides the portraits, there are scenes of Indians in their daily activities, including baking bread in outdoor ovens, gathering water in pots, riding horses and tending livestock. There are also views of the Hopi Snake Dance, and the Corn Dance at Santo Domingo.
photCL 313