Visual Materials
Lupe Jaramillo and girl, Isleta
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Young girl of Isleta, New Mexico
Visual Materials
This set of photographs by Frederick Monsen focuses on Native Americans of the Southwest in mostly candid views taken in Pueblo communities, approx. 1886-1911. Photographs include portraits, ceremonies, dances, pueblos, livestock and scenes of daily activities. A smaller portion of the collection consists of landscapes, cliff-dwellings, ruins, gold miners, wagons and scenes of pioneer life in the West. Some photographs were made by Monsen while he was with U.S. Geological Surveys (including the Brown-Stanton survey of 1889), and others during his own photography trips. The majority of Native Americans pictured are Hopi and Navajo, but there are also Paiute, Apache, and Pueblo Indians. There are a few views of Mojave Indians of Southern California, and natives of Baja, Mexico. There are several views of Indian children, shown with and without clothes, in their daily activities. Scenes of non-Indian Western life include men in covered wagons on trails, gold prospectors and stagecoaches. There are many artistic landscape views of canyons, buttes and mesas; Death Valley; salt beds; ancient ruins; cactus and other desert plants. Unusual subjects of note are three photographs of skeletons in the deserts of Arizona and one view of the covered bodies of prospectors being carried on burros. The prints are all signed by Monsen and have typed or handwritten captions on the back, written by Monsen.
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Isleta Pueblo, 1912
Visual Materials
This collection contains approximately 10,000 photographs, negatives and ephemera created or compiled by Grace Nicholson (1877-1948), a collector and dealer of Native American and Asian arts and crafts in Pasadena, California. The bulk of the collection dates from 1903 to the 1920s and includes photograph albums and individual photographs with views of Native Americans of the Northwest Coast, California, and the Southwest of North America; pictures documenting Nicholson's basket collecting trips primarily between 1902 and 1912; images of Nicholson's stores and residences in Pasadena, including the building of the "Grace Nicholson Treasure House of Oriental Art" in the mid-1920s; and personal photographs of Nicholson, her family, friends, and associates. Nicholson's personal snapshots and photograph albums provide a valuable resource for studying Native American communities, particularly in Northern California, in the early 20th century. Many of the photographs depict daily life and include images of homes, community events, dances and rituals, families and children, and portraits. Most of these photographs were taken by Grace Nicholson or her assistant, Mr. Carroll S. Hartman, and are often accompanied by Nicholson's handwritten identifications.
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