Hall and staircase

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  Interior - group playing cards

  Visual Materials

  A group of two men and two women play cards at a table. On the right, another woman sits with book on her lap. To the left a women sits and watches the game. Room has ornate floor covering and wallpaper, and lace curtains on the window behind the group.

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  Crank family

  Visual Materials

  Side-by-side stereographic image of a one-story clapboard house and a group of people on the front lawn. Three people sit in rocking chairs, a child rides a tricycle, one man sits astride a horse, and another stands beside a horse-drawn carriage. A round pool with a fountain is in the foreground. Shade trees surround the house.

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  Entrance hall, Patton residence, San Marino

  Visual Materials

  A view of the entrance hall of the Patton residence in San Marino. A staircase runs along the wall on the right, and a large carpet covers the wooden floor in the center and left. There is a heavy wooden table in the center of the carpet with three glass or crystal vases on top. A cabinet of curios is set against the staircase between two chairs, and a small narrow table is against the wall on the left. There is white wooden paneling along the lower half of the walls and a decorative palm-patterned wallpaper on the upper half. Portraits and maps are hung in frames along the walls, including one of General George S. Patton, Jr., wearing his World War II uniform and helmet and holding a pair of binoculars, in the center.

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  Woman in garden

  Visual Materials

  A woman stands holding her hand to her forehead to shade her face from the sun. She wears a light colored dress with floral detailing. To her left landscaped flowers, to her right, grassy lawn, and behind her pine trees and the mountains in the distance.

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  Photographs of E.L. Doheny's residence and grounds, Chester Place, Los Angeles

  Visual Materials

  An album containing 117 photographs with a variety of interior and exterior views of the Doheny mansion and grounds at Chester Place, one of the first gated communities in Los Angeles. The first half of the album is exterior views, showing entrances, ivy-covered walls, plant- and palm-lined walkways, a greenhouse or conservatory, a large garage, and tennis courts. The second half of the album has interior areas, showing lavushly decorated public rooms with heavy furniture, dark woodwork, painted ceilings, animal skin rugs, statues and vases, a grand piano decorated with painted scenes, and multiple coffee/tea sets; a room with a high domed glass ceiling and marble pillars; a billiard room; a dining room shown with and without the table and chairs in place; a room decorated with Native American rugs, a long, feathered headdress, and a stuffed bald eagle; several bedrooms with varying degrees of decoration; multiple bathrooms; and a large, long, empty hall. Only one photograph includes people, a view of an office with two women.

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  [Road through orchard.]

  Visual Materials

  This collection consists of one photograph album with 48 photographs and 35 loose photographs (as well as some duplicates), with images depicting the Fair Oaks Ranch in Altadena, California, during the late 19th century. The ranch, owned by businessman and rancher James F. Crank, encompassed a vineyard, winery, and citrus orchards, along with a lavish residence and grounds. Subjects include interior and exterior views of the residence, landscaped grounds, trees, and plant life; members of the Crank family; ranch workers, including Chinese laborers, working in the orchards and vineyard, harvesting and packing fruit, drying apricots, and loading fruit onto horse-drawn carts; workers' quarters; the operations of the winery and distillery; and also a handful of sweeping views of the San Gabriel Mountains and the Altadena and Pasadena areas taken from vantage points on the property. The photographer of the album is unknown; some of the cabinet cards and stereographs have imprints from area photographers: C. McMurtrey (Item 80), C.B. Ripley (Items 73-74), and A.C. Varela (Items 76-78). Photographs in the album are cyanotype prints; the loose photographs include cyanotypes, cabinet cards, and stereographs.

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