Manuscripts
Pages 2 and 4 of document
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[Highland, Kansas census pages], 56 x 48 cm. (1880, June 16). 4 items
Manuscripts
The collection contains 10,454 semi-cataloged items andis housed in 72 boxes and 3 oversize folders. The collection documents Loren Miller's four decades of fighting for equality and civil rights and his legal work against racial real estate covenants and discrimination in housing. It contains material related to his work with several organizations including the NAACP, National Urban League and the ACLU. The collection also contains material related to Loren Miller's personal life and family as well as his journalism career and ownership of the California eagle. The collection also contains many items related to Langston Hughes including letters written between Miller and Hughes and copies of some of Hughes' writings. The collection contains the following types of material: correspondence, telegrams, postcards, manuscripts, speeches, newspaper and magazine clippings, publications including full magazines, briefs and other legal documents, brochures, meeting minutes, reports and photographs as well as research notes for and drafts of Miller's book The petitioners: The story of the Supreme Court of the United States and the Negro.
mssMiller
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South Cockerington (2 images and a 2-page typescript document by G.S. Dixon)
Manuscripts
This collection contains the papers of English art historian Katharine Ada Esdaile (1881-1950), with the bulk of the materials relating to her research and writings on British monumental sculpture, sculptors, and church monuments from the medieval period to 19th century. Material types include personal writings, diaries, correspondence, business papers, family papers and photographs, research files and research notebooks, and miscellaneous published and unpublished materials. Notably the collection includes more than 600 chiefly pre-World War II visitor booklets and pamphlets produced locally by British churches and approximately 3500 photographs taken or collected by Esdaile of sculpture, often funerary monuments in English churches, ranging from large churches like Westminster Abbey to small rural parishes. This collection provides a resource for viewpoints on monumental sculpture in the early 20th century (for instance as represented in book reviews by Esdaile) and for information about Esdaile's experience as a woman art historian in the early 20th century. Given the broadness of Esdaile's scope, from medieval to 19th century British monumental sculpture, the collection is less useful for specific information about monuments or sculptors. In addition, many of Esdaile's attributions in her notes appear to have been based primarily on her own instincts and do not have citations. Many of Esdaile's notes are handwritten on small scraps of paper or are fragments, sometimes making the information difficult to parse. The collection is chiefly Esdaile's files, but the dates on some items (such as post-1950 booklets) indicate the collection was added to and used after her death, presumably by her son Edmund Esdaile, who also made notes on items in the collection and appears to have done the preliminary organization of the papers after Esdaile's death.
mssEsdaile
