Three couples in period costume in the large drawing room in the Huntington residence

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  Costumed couple in front of fireplace in the large drawing room in the Huntington residence

  Visual Materials

  A couple can be seen reflected in the mirror. On the wall to the right of the mirror is Joseph Wright of Derby's Young man with cap and gown (circa 1760). The clock on the mantel is stamped Japy Frères et Cie and is from 1785 or later. Label accompanying photograph in album reads "HEH 38 Drawing room, Huntington Art Gallery, with figures."

  photCL 107 vol13 (38)

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  Six people in period costume in the small drawing room in the Huntington residence

  Visual Materials

  Thomas Gainsborough's Anne (Luttrell), Duchess of Cumberland (circa 1777). A couple stands next to the fireplace. Two women and one man are seated at a table playing cards, with a man standing nearby. Label accompanying photograph in album reads "HEH 37 Small drawing room, Huntington Art Gallery, with figures. Same as PCP 12."

  photCL 107 vol13 (37)

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  Six people in period costume in the dining room in the Huntington residence

  Visual Materials

  The people, from left to right, are Victor Mature, Connie Compaigne, Sheila Stapler, "Buck" Edgar Buchanan, Hal Landon, and Ann West (Wood). Compaigne and Buchanan are seated at a table in dining room, while a standing Mature speaks to Compaigne, and Stapler carries a silver tray. Landon is standing next to the fireplace speaking to a seated West. George Romney's Catherine (Halead) Burton (1789) hangs over the fireplace. Label accompanying photograph in album reads "Tea party group in Dining Room, Huntington Art Gallery. Original fireplace from old house in Hanover Square, London, 1755. Chairs, Georgian, about 1740. Tea table, about 1760." Buchanan has elsewhere been identified as Frederick Blanchard.

  photCL 107 vol13 (29a)

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  Four people in period costume in the portrait gallery in the Huntington residence

  Visual Materials

  Two couples in 18th century dress in the portrait gallery. One couple, the man standing and the woman sitting, are in front of George Romney's Rose (Gardiner) Milles (1780-1783). The other couple, both standing, are to the left of Thomas Gainsborough's Jonathan Buttall: the blue boy (1770). The bronze sculpture beneath "Blue Boy" is Mercure (Mercury) by an unknown foundry, after Antoine Coysevox, made between 1700 and 1710. Label accompanying photograph in album reads "HEH 28 New Gallery, Huntington Art Gallery. Portraits visible are "The Blue Boy" by Gainsborough, and "Mrs. Jeremiah Milles" by Romney."

  photCL 107 vol13 (28)

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  Six people in period costume around tea table in dining room in the Huntington residence

  Visual Materials

  The people, from left to right, are Victor Mature, Connie Compaigne, Sheila Stapler, "Buck" Edgar Buchanan, Hal Landon, and Ann West (Wood). Compaigne and Buchanan are seated at a table in dining room, while a standing Mature speaks to Compaigne, and Stapler carries a silver tray. Landon is standing next to the fireplace speaking to a seated West. George Romney's Catherine (Halead) Burton (1789) hangs over the fireplace. Label accompanying photograph in album reads "Tea party group in Dining Room, Huntington Art Gallery. Original fireplace from old house in Hanover Square, London, 1755. Chairs, Georgian, about 1740. Tea table, about 1760." Buchanan has elsewhere been identified as Frederick Blanchard.

  photCL 107 vol13 (29c)

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  Large drawing room of the Huntington residence

  Visual Materials

  Thomas Gainsborough's Jonathan Buttall: the blue boy (1770) and Sir Thomas Lawrence's Sarah Goodin Barrett Moulton: "Pinkie" (1794) hanging in the large drawing room of the Huntington residence. The desk in the foreground (bureau plat) is attributed to Andre-Charles Boulle, with substantial later alterations. The date of the original work is between 1700 and 1750. Beneath "Blue Boy" is a chest of drawers (commode) by Daniel De Loose, from around 1770. Beneath "Pinkie" is a chest of drawers by Martin Carlin, from around 1775. The terracotta sculptures in glass cases on either side of the door are by Claude Michel, called Clodion, and his workshop, and date to approximately 1780 to 1790. On the left is Jeune Femme présente son enfant à un autel (A young Woman Presenting Her Child at an Altar). On the right is Jeune Femme tenant un enfant devant elle (Young Woman Holding Her Child in front of Her). Appeared in Los Angeles Times, Annual Midwinter Number, on January 2, 1930. MS note on verso reads "HEH residence as art gallery: large drawing room."

  photCL 107 fld23 (9.1)