François Hippolyte Lalaisse military fashion plates

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  Class of '75 United States Military Academy : photograph album of John Percival Jefferson

  Visual Materials

  An album of 119 photographs from the United States Military Academy, including individual and group portraits, campus views, and building interiors. The first part of the album contains portraits of older men in uniforms and suits and portraits of 4th year cadets in various uniforms. The remainder of the album includes pictures of building interiors and exteriors on the campus, such as the library, dining hall, and chapel; group photographs of cadets from different years, some with women; and views of cadets in formation on the parade grounds. Portrait subjects are unidentified.

  photCL 88

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  Subseries C. Fashion Plates and Periodicals (large size)

  Visual Materials

  This subseries contains over 120 printed illustrations of American and French fashion trends dating from the 1830s to the early 1900s. These images, commonly known as "fashion plates," typically depict men, women, or children modeling current clothing styles. Larger plates (larger than 14 x 10 inches in this collection), primarily intended for display, advertised the products and services of fashion designers, tailors, and pattern makers. For smaller plates (14 x 10 inches or less in this collection) see Series I, Subseries C. The collection features 42 plates by Genio C. Scott dating from 1841 to 1876, 28 plates of E. Butterick & Co. dating from 1867 to 1886, and 23 plates from the French fashion magazine La Mode Illustrée dating from 1872 to 1886. The oldest fashion plate is an 1832 print from New York City tailor A. F. Saguezs. The plates contain predominantly uncolored or hand-colored images. This material provides a resource for studying changing fashion trends in the United States and France in the 19th century. Among the changes reflected, men's fashions saw transitions from pantaloons to trousers and cravats to neck ties. Frock coats for day and tail coats for evening were very popular for much of the period. For women, a wide variety of styles, trends, and clothing items are represented, including gigot sleeves, wide full skirts, bustled and draped dresses, fitted bodices, riding habits, outerwear, and various hats, bonnets, and headdresses.

  priJLC_FASH

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  Fashion plates

  Visual Materials

  This collection consists of approximately 2,400 printed illustrations of fashion trends dating from 1807 to 1897, with the majority of items spanning from 1832 to 1870. The images, known as "fashion plates," were often published in fashion and women's magazines or in bound volumes and primarily depict women modeling current dress styles, although some also contain children's and men's clothing. The majority of the collection is French and most of the tailors, seamstresses, fashion designers, artists, and printers credited on the plates were located in Paris, France. Periodicals commonly represented in the collection include Le Bon Ton, Le Boudoir, Le Cabinet de Lecture, Le Caprice, Costume Parisiens, Le Follet Courier des Salons, Gazette des Salons, L'Illustrateur des Dames, Journal des Demoiselles, Journal des Femmes, Journal des Jeunes Personnes, Journal des Modes, La Lanterne Magique, Le Magasin des Familles, La Mode, La Mode des Demoiselles, La Mode Illustrée, Modes de Paris, Paris Elegant, Revue de la Mode, La Sylphide, Le Voleur, and several other publications. The English closely followed French fashions during this time period, and the collection also includes a few British plates. One example is an 1861 plate from the London periodical The Queen (Box 18). The materials in this collection consist predominantly of hand-colored engravings.

  ephFASH

• Image not available

  Fashion plates

  Visual Materials

  This collection consists of approximately 2,400 printed illustrations of fashion trends dating from 1807 to 1897, with the majority of items spanning from 1832 to 1870. The images, known as "fashion plates," were often published in fashion and women's magazines or in bound volumes and primarily depict women modeling current dress styles, although some also contain children's and men's clothing. The majority of the collection is French and most of the tailors, seamstresses, fashion designers, artists, and printers credited on the plates were located in Paris, France. Periodicals commonly represented in the collection include Le Bon Ton, Le Boudoir, Le Cabinet de Lecture, Le Caprice, Costume Parisiens, Le Follet Courier des Salons, Gazette des Salons, L'Illustrateur des Dames, Journal des Demoiselles, Journal des Femmes, Journal des Jeunes Personnes, Journal des Modes, La Lanterne Magique, Le Magasin des Familles, La Mode, La Mode des Demoiselles, La Mode Illustrée, Modes de Paris, Paris Elegant, Revue de la Mode, La Sylphide, Le Voleur, and several other publications. The English closely followed French fashions during this time period, and the collection also includes a few British plates. One example is an 1861 plate from the London periodical The Queen (Box 18). The materials in this collection consist predominantly of hand-colored engravings.

  ephFASH

• Image not available

  Fashion plates

  Visual Materials

  This collection consists of approximately 2,400 printed illustrations of fashion trends dating from 1807 to 1897, with the majority of items spanning from 1832 to 1870. The images, known as "fashion plates," were often published in fashion and women's magazines or in bound volumes and primarily depict women modeling current dress styles, although some also contain children's and men's clothing. The majority of the collection is French and most of the tailors, seamstresses, fashion designers, artists, and printers credited on the plates were located in Paris, France. Periodicals commonly represented in the collection include Le Bon Ton, Le Boudoir, Le Cabinet de Lecture, Le Caprice, Costume Parisiens, Le Follet Courier des Salons, Gazette des Salons, L'Illustrateur des Dames, Journal des Demoiselles, Journal des Femmes, Journal des Jeunes Personnes, Journal des Modes, La Lanterne Magique, Le Magasin des Familles, La Mode, La Mode des Demoiselles, La Mode Illustrée, Modes de Paris, Paris Elegant, Revue de la Mode, La Sylphide, Le Voleur, and several other publications. The English closely followed French fashions during this time period, and the collection also includes a few British plates. One example is an 1861 plate from the London periodical The Queen (Box 18). The materials in this collection consist predominantly of hand-colored engravings.

  ephFASH

• Image not available

  Fashion plates

  Visual Materials

  This collection consists of approximately 2,400 printed illustrations of fashion trends dating from 1807 to 1897, with the majority of items spanning from 1832 to 1870. The images, known as "fashion plates," were often published in fashion and women's magazines or in bound volumes and primarily depict women modeling current dress styles, although some also contain children's and men's clothing. The majority of the collection is French and most of the tailors, seamstresses, fashion designers, artists, and printers credited on the plates were located in Paris, France. Periodicals commonly represented in the collection include Le Bon Ton, Le Boudoir, Le Cabinet de Lecture, Le Caprice, Costume Parisiens, Le Follet Courier des Salons, Gazette des Salons, L'Illustrateur des Dames, Journal des Demoiselles, Journal des Femmes, Journal des Jeunes Personnes, Journal des Modes, La Lanterne Magique, Le Magasin des Familles, La Mode, La Mode des Demoiselles, La Mode Illustrée, Modes de Paris, Paris Elegant, Revue de la Mode, La Sylphide, Le Voleur, and several other publications. The English closely followed French fashions during this time period, and the collection also includes a few British plates. One example is an 1861 plate from the London periodical The Queen (Box 18). The materials in this collection consist predominantly of hand-colored engravings.

  ephFASH